Led Zeppelin – cover record – Physical Graffiti

The two five-story buildings photographed for the album cover are located at 96 and 98 St. Mark’s Place in New York City. The original photograph underwent a number of tweaks to arrive at the final image. The fifth floor of the building had to be cropped out to fit the square album cover format. The buildings to the left and right were also changed to match the style of the double front. Tiles were added on the roof section along with more faces. Part of the top right railing balcony was left out for a whole window frame to be visible. The front cover is a daytime shot, while the back cover (above) was taken at night.

Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin, released on 24 February 1975 as a double album. Recording sessions for the album were initially disrupted when bassist/keyboardist John Paul Jones considered leaving the band. After reuniting at Headley Grange, the band wrote and recorded eight songs, the combined length of which stretched the album beyond the typical length of an LP. This prompted the band to make Physical Graffiti a double album by including previously unreleased tracks from earlier recording sessions.

The album was released on 24 February 1975, at a time when Led Zeppelin were undertaking their tenth concert tour of North America. Delays in the production of the album’s sleeve design prevented its release prior to the commencement of the tour. Billboard magazine’s 5 star review of the album stated: “[Physical Graffiti] is a tour de force through a number of musical styles, from straight rock to blues to folky acoustic to orchestral sounds.”Similarly, Jim Miller stated in Rolling Stone that the double album was “the band’s Tommy, Beggar’s Banquet and Sgt. Pepper rolled into one: Physical Graffiti is Led Zeppelin’s bid for artistic respectability.

 

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One Response to Led Zeppelin – cover record – Physical Graffiti

  1. Darrick Sauro says:

    led zeppelin was really a great rock band in the old days, i like them too.’

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